A bit off topic for my blog, but a good, positive way to start the year with some good news.
No one likes sweeping statements and generalisations, and I’m not about to fall into that trap. Nonetheless there is a real case to be made that the most exciting centre for contemporary theatre and the performing arts in Japan today is not what was once called the “east capital”, Tokyo, but that older capital lying to the west, Kyoto.
This is not just about how many artists and directors are based in Kyoto, though it is certainly home to a significant number of solo artists and companies, including contemporary Kabuki troupe Kinoshita-Kabuki, Takuya Murakawa, and Kunio Sugihara.
No, Kyoto’s claim to be the new hub for Japanese contemporary performing arts is threefold.
Firstly, we now have ROHM Theatre Kyoto. Opening January 10th as part of a major renovation and redevelopment of the 50-year-old Kyoto Kaikan, ROHM Theatre Kyoto will be a major cultural hall and hub for a range…
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