Every year February Udaka Michishige hosts the hayashi kenkyūkai. In Japan a kenkyūkai is a meeting of people gathering for a day of intensive study. In this case we members of the Kei’un-Kai and INI (Udaka-sensei’s students) get together for a day of intensive noh practice. In a hayashi kenkyūkai we perform only maibayashi and full noh plays performed in kimono and hakama. Those of us who study instruments also join as musicians when we don’t chant or dance.
This Sunday I am going to perform Takasago maibayashi, featuring the godan kamimai, one of the fastest dances in the Noh repertoire. I will also play the taiko for Makura Jidō maibayashi, featuring the gaku, another godan (five sections) dance.
The kamimai is not my first godan dance: I already studied the godan hayamai for Tōru and the gaku for Kantan. However, the speed of the kamimai in Takasago is quite a challenge. It requires not only confidence in the movements, but also full understanding of the music, and ability to think well ahead in order to keep up with the fast tempo.
Anyway, good luck to me!