Read the article – The Georgia Straight
“Kayoi Komachi/Komachi Visited is not just a revolutionary new mix of western chamber opera with Japan’s ancient Noh theatre. It’s a rare chance to see the rarest of Noh performers: women.”
“The first thing you come up against is just being non-Japanese is a challenge. None from outside the country have become professional Noh actors,” says [director and playwright Colleen][…] Lanki. “And I’m a foreign woman—I never even cared to or attempted to be a professional. Plus I started too late; you’d have to devote your life to it. I just love studying it.”
Being a woman and starting late may be the real challenges, and both apply to Japanese nationals, too. Should a foreign exchange student age 18 or 19 decide to relocate to Japan and start studying in earnest (read: dedicate all the time to practice) we may be able to see a non-Japanese become a professional. The real issue may be: all foreigners (including myself) start late, and do not want to (or cannot) dedicate their entire lives to the practice of noh. It makes sense: with a very grim outlook for getting a job in the noh world, even for the Japanese, it takes a fool or a billionaire to decide to give up everything for noh.