On kamae – the basics of standing

For any actor, the most basic, yet the most difficult thing to do is to ‘just stand on stage’. We try to ‘be natural’ – but there is not one single way of ‘looking natural’, yet we can perceive ‘naturalness’, which may also be interpreted as  ‘confidence’. Since there is no set way of doing it, the inexperienced actor will try think about what kind of thing would be best to do in order to look natural.

We feel exposed, naked, we feel like we appear too neutral, too uninteresting. We feel compelled to express something by doing something. We chose to do something and we are judged by this choice.

A terrible example of kamae – The Mood performing Blackberry Way

In nō, there is no need to do all that, since we have kamae – we are told how to stand and look natural on stage – then it’s just a matter to do it properly. We are not judged on the basis of what we decide to do, but on the basis of how well we are reproducing a pre-existent form.

This actually extends well beyond just nō. In Japan you can find kamae everywhere. Hands together in front of the body, or along the sides. There is a kamae for sitting, with hands on your knees (men) or on your lap (women). 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.