This is the face of traditional theatre on the national ‘educational’ channel, NHK’s Eテレ (e-tele), broadcasting programs on traditional performing arts between 22:00 and midnight. In a roundtable on the decrease of Noh amateur population published on Nogaku Journal in 2010, critic Horigami Ken complained about how dull TV programs are today, claiming that the absence of classical arts on TV is one of the reasons why young people today are not interested in Noh.
Yes, I too would like to see more Noh on TV and, preferably, I would not like to see it introduced by this nice&tidy couple of presenters, interviewing old geezers and kind baachan dressed in sober kimono, gently bowing and speaking in softly. Noh is everything but gentle or soft. It’s not something to be nodded at from behind a glass case (be it a TV set or a museum stand). Noh is magnificent, powerful, heartbreaking, enlightening. Not for the faint of heart, I daresay. Have you seen this program? Certainly NHK, like much of the Noh establishment, don’t care much about trying to reach new audiences, and only feed the progressively aging spectatorship that started following it in the 1960s. Noh is not only for them. Give us the real thing, not this pre-digested glop, only good for retirement home entertainment.
Today I went to the Kanze Nogakudo to see the last Urata Teiki Noh. Today’s programme featured the rare Morihisa, and Hagoromo. There is a lot to say about the two performances I saw, but in this post I will talk about another aspect of today’s experience. Something that I am afraid contributed to an at least partially negative reception of the performance.
I’m not going to write an essay here, I will just copy here some thoughts that I jotted down during the play.
Today's average age of the audience: 70 years. There's all kinds of good reasons for this. Will write about them next time.
Issues resulting from the increasing age of the Noh audience:
Bad smell in the theatre. Most of it comes from cheap/old fashioned hair spray.
Huge queue at the toilet during the break.
Amateurs who bring their utaibon and take the Nogakudo for a Noh sing-along karaoke kind of place.
Grannies sucking on candies, usually taking ages to unwrap them from a very noisy plastic wrapping.
Bad hearing makes people shout instead of whisper.
No wonder young people don't want to go to the Noh theatre. If I took a friend today I'm sure he/she would have never wanted to come back to what seems to be a retirement house... AGE IS AN ISSUE!
This post is ironic but the matter is serious. Will expand it in a more academic fashion some other time.